Art Works

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a work from the latest exhibition

Flower Garden

2020

48 x 72 in(121.9 x 182.8 cm)

handmade pina paper, indian ink, acrylic, glue, pencil and dried flower on canvas

Exhibited in the solo exhibition "Do you hear it?"
at Art Informal Gallery on March 2020

Art Works

2020

Solo Exhibition “Do you hear it?” at Art Informal in Makati, Philippines

"Protection" 2020, handmade pina paper, indian ink, acrylic, glue, pen and pencil on canvas, 48 x 36 in 121.9 x 91.4 cm
"Protection" 2020, handmade pina paper, indian ink, acrylic, glue, pen and pencil on canvas, 48 x 36 in 121.9 x 91.4 cm
Artwork “quiet deep bass“ by Atsuko Yamagata/山形敦子
"quiet deep bass"2020, handmade pina paer, indian ink, acrylic, glue , pen and pencil on canvas, 48 x 36 in 121.9 x 91.4 cm
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2019

“Transcendental” at Cultural Center of the Philippines

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Nakanojo Biennale 2019 “Corporeal Imprint” Nakanojo town, Gunma, Japan

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2018

November 2018 “Remembrance” at Vinyl on Vinyl Gallery, Makati, Philippines

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August 2018, “Uncontrolled Artificiality” at Finale Art File, Makati, Philippines

Jun 2018, “Born Softly” at Mo_Space, Makati, Philippines

Species | Handmade pina paper, Indian ink, Acrylic, glue, nail polish on canvas | 3ft x 3ft (without frame) | 2018
Species | Handmade pina paper, Indian ink, Acrylic, glue, nail polish on canvas | 3ft x 3ft (without frame) | 2018
Slow growing | Glue and Indian ink | siza variable | 2018
Slow growing | Glue and Indian ink | siza variable | 2018
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Feb 2018, “Belongingness” at West Gallery, Quezon City,  Philippines

Belongingness | handmade pina paper, Indian ink, acrylic | size variable | 2018
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2017

2017 “made roots here” TOWER’S GALLERY, JR Tower Hotel Nikko Sapporo, Hokkaido, Japan
余市群、平岸村、他－苹果栽培は将来有望なりしと信し Case of Yoichi, Hiragishi– believed planting apples is promising-looking | Ezo washi (white birch & Ohyounire), handmade pina paper,indian ink, acrylic on canvas | 61.2cm x 76.8cm (without frame) | 2017
余市群、平岸村、他－苹果栽培は将来有望なりしと信し Case of Yoichi, Hiragishi– believed planting apples is promising-looking | Ezo washi (white birch & Ohyounire), handmade pina paper,indian ink, acrylic on canvas | 61.2cm x 76.8cm (without frame) | 2017
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2017 “FORM OUT OF MATERIAL, MATERIAL OUT OF FORM” 3 women show , Galleria Duemila, Pasay City, Philippines
Being updated 2 | Glue, handmade paper, Indian ink, Gofun, acrylic on plexiglass | 21in x 25in | 2017
Being updated 2 | Glue, handmade paper, Indian ink, Gofun, acrylic on plexiglass | 21in x 25in | 2017
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Pulse and Chain 3ft x 3ft (without frame) Handmade paper, Indian Ink, acrylic, nail polish, glue on canvas 2017
Pulse and Chain | 3ft x 3ft (without frame) | Handmade paper, Indian Ink, acrylic, nail polish, glue on canvas | 2017
Pulse and Chain | 3ft x 3ft (without frame) | Handmade paper, Indian Ink, acrylic, nail polish, glue on canvas | 2017
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2017 Nakanojo Biennale 2017 中之条ビエンナーレ2017, Gunma Prefecture, Japan

Still living with the shadow of live
3 pictures are same title
installation works for Nakanojo Biennale

今も尚彼らは
2017 中之条ビエンナーレ2017のための作品群

variable size
mixed medeium
2017

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twenty pesos series 16cm x 32.5cm (unframed) old bills during Japanese occupation in Philippines, handmade pina paper on canvas 2017
twenty pesos series | 16cm x 32.5cm (unframed) | old bills during Japanese occupation in Philippines, handmade pina paper on canvas | 2017
twenty pesos series | 16cm x 32.5cm (unframed) | old bills during Japanese occupation in Philippines, handmade pina paper on canvas | 2017

2017 July “breathing, breeding, blowout” at Art Informal, Mandaluyong City , Philippines

breeding | 100cm x 100cm (unframed) | indian ink, acrylic, handmade pina paper, glue on canvas | 2017
breeding | 100cm x 100cm (unframed) | indian ink, acrylic, handmade pina paper, glue on canvas | 2017
Solo exhibit "breathing, breeding, blowout" 2017 at Art Informal Gallery
Solo exhibit "breathing, breeding, blowout" 2017 at Art Informal Gallery
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2017 “borrowed scenery” Underground gallery, Makati City, Philippines
Kamboloan (installation) | valiable size | indian ink, handmade pina paper, handmade saba paper, Japanese paper, acrylic | 2017
Kamboloan (installation) | valiable size | indian ink, handmade pina paper, handmade saba paper, Japanese paper, acrylic | 2017
2017Feb個展全体
after talk with silence | 16in x 20in (unframed) | Indian ink, acrylic, handmade pina paper, glue on plexiglass | 2017
after talk with silence | 16in x 20in (unframed) | Indian ink, acrylic, handmade pina paper, glue on plexiglass | 2017
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2016

group exhibit “smalls” Underground (Makati City, Manila) on Aug 2016
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borrowed scenery | 28cm ×35cm (framed) | Indian ink, handmade pina paper on canvas | 2016
borrowed scenery | 28cm ×35cm (framed) | Indian ink, handmade pina paper on canvas | 2016
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2015- 2016 “a fraction of 8 millionth” series  

nothing but / a fraction of 8 millionth | 14.5cm × 10cm (unframed) | Indian ink, paper, glue on handmade pina paper | 2016
nothing but / a fraction of 8 millionth | 14.5cm × 10cm (unframed) | Indian ink, paper, glue on handmade pina paper | 2016
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Art Fair Philippines 2016 

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2015

solo exhibit “between place” at Underground Gallery 

paper, natural pigment, dyed mud pigment, acrylic, Indian ink on handmade pina paper 2015

14.8cm × 21cm (unframed)
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group exhibit “We saw things that others didn’t” at Taksu Singapore 

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“Far East Alliance” Erehwon Center for the Arts, Quezon City, Philippines

a tree of eggs variable size newspaper, strings 2015
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–

fragmented human | 5ft × 6ft | acrylic, indian ink, paper, newspaper on canvas | 2015
fragmented human | 5ft × 6ft | acrylic, indian ink, paper, newspaper on canvas | 2015
identity diameter | 4ft | acrylic, indian ink, charcoal, pencil, pastel, paper, newspaper, chiyogami on canvas | 2015
identity diameter | 4ft | acrylic, indian ink, charcoal, pencil, pastel, paper, newspaper, chiyogami on canvas | 2015
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2014

“Gen現/ Ngayon”, Nova Gallery, Makati City, Philippines

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untitled | 6ft × 8ft | indian ink, acrylic, chiyogami on canvas | 2014
untitled | 6ft × 8ft | indian ink, acrylic, chiyogami on canvas | 2014
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About Me

Born 1982 in Sapporo City, Hokkaido, Japan. Lives and works in Manila, Philippines. Atsuko Yamagata has started her career as a visual artist since 2006 when she lived in Tokyo. She moved to Philippines in 2012 and her activities have expanded more and more in the art scene in Manila. She has been participating in numerous exhibitions mainly in Philippines , also in Japan, Indonesia and Singapore.

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